In every good story someone dies
(sometimes, but more frequently,
in bad ones as well); not always
tragically or poignantly, not always
sadly or in a timely fashion, usually
importantly a death is required.
It may be that it’s a way to make
tales more authentic, but it ironically
renders death’s severity a mere ploy
in the hands of desperate dramatists
longing for gravitas yet in failure;
simply turn dust back to dust.
Occasionally it’s accidently but
unexpectedly; and if the desire is
manipulative – the death of a child,
boy or girl, either will do – to tweak
the emotions of even the hardened
with an appeal to the weak.
Now multiple deaths are a waste
to an author and thus school bus
fatalities (a kindergarten field trip
tragedy) are typically avoided
and mass murders’ victims aren’t
the story in the first place.
Too many tales are funereal,
too many yarns come undone
and too many wakes begin stories
of too many things gone wrong;
dramas of dads and mamas
until death do everyone part.
Narrators, of course, play God
knowing, seeing all, all at once
what’s in heads, hiding from light
but telling us only part of a story;
this or that reason for lost life,
providing knowledge we lack.
The human story’s author
has wasted over a hundred billion
anonymous deaths littering lands,
mocking prophet amidst dry bones;
the deity’s wonderful plan for life
trumps all novelist’s narratives.